龙山寺是台北第一名剎，列为二级古迹;位于台北西南，临淡水河，供奉观世音菩萨，创建于清乾隆3年(1738)，是当地居民信仰、集会、大大小小事情的指挥中心。其地万华(原艋舺)，是台北市开发最早的地方。二百多年来，龙山寺经过多次的修建，结构呈回字形，在传统的寺庙中是很尊贵的布局。在广场上，可注意地板石材，其中切割较不整齐的部分，已有古老的历史。
从前中国台湾海峡又叫“黑水沟”，风浪很大，移民都用石板来压船舱，以便能安全渡海来台，而这些石板，后来也就用来铺设龙山寺前的部分广场。殿前有中国台湾独一无二的铸铜龙柱，屋檐下的木雕、彩绘，也都非常生动。尤其用来支撑屋顶的“网目斗拱”，是中国台湾寺庙的首次创作。另外，大门左边的石雕窗上，雕有精彩的三国演义故事;右面则有一个八角竹节窗，上刻竹干，是“竹报平安”的意思，由于正门只在节庆祭典才打开，所以平时都从庙宇左边的门进入，右边的门出来。进到庙里，可看到很多善男信女虔诚祭拜、诵经念文。出了前殿，在天井上有一个香炉，香炉上有“憨番抬庙角”的有趣雕塑。天井两旁还有钟楼和鼓楼，早上敲钟、晚上击鼓，来作为诵经、法会的提醒。从石阶上正殿，正殿四面有一道走廊，廊上的壁面、石柱都有精巧的石雕作品。
进了正殿，可以看到主神-观世音菩萨。在第二次界大战中，龙山寺正殿曾被炮火击中，殿堂全毁，但此神像却丝毫无损，所以让信徒更加敬拜。来到后殿和左、右翼殿，会看到很多的神佛，有人说 “龙山寺是众神的聚会所”，就是说庙内可供奉的神佛非常多，号称主、附神约有一百多尊。在这里可注意后殿殿前的一对人物石柱，造形生动，和一般寺庙以 “龙”为题材石柱不同。此外，左、右翼殿入口外侧的壁面，有“红毛番吹法螺”的石雕，也和香炉上“憨番抬庙角”有相同的趣味性。每日来龙山寺参拜的善男信女络绎不绝，每年的元宵节灯会，更是人潮汹涌，热闹非常。
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台北市立美术馆位于台北市区的圆山地方，矗立于大树浓荫富有欧洲风味的中山北路旁。是许多爱艺者最佳的充电殿堂，融合了传统四合院格局及现代感之立体造型。该馆本身即是一座巨大宏伟的立体艺术品，馆前广场常展示名家雕塑作品，馆内宽敞明亮。
内部有展览室、视听室、图书馆、美术教室等社施，除经常展示国内外艺品，并定期举办各项专题展览，具有学术研究和社会教育的功能。颇能表达中华文化精神及创新的独特风格。
内部的展示活动，除了提供民众良好的美术教育机会，也提升了市民欣赏美术的精神内涵。
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观音山的海拔不高，却相连着18座小山峰，最高的硬汉岭也不过612公尺，山区步道密布穿梭，为台北市西郊最热门的登山去处之一。山上座落着不少名刹古寺，并可溯溪观瀑、观鹰赏鸟、眺望半个台北和壮丽的大屯山列，是一处丰富的自然观赏去处。
观音山上的山径溪谷四通八达，登山路线林林总总、难易不同，登山客可以拣挑适合自己体力的山径上山。其中最大众化的路线是从五股的观音山站牌出发，沿山阶上登凌云禅寺，再由寺后的牌楼往上走，约1小时可抵硬汉岭。在此登高眺览，视野辽阔，整个台北市自新光大楼以北的市景都在眼下，而对面的大屯山列及淡水河口山海相映的景象更是壮观。
白天上观音山，可隔着门墙老树感受楞严阁、开山院的古朴庄严，远眺淡水八景之一的“坌领吐雾”;傍晚时分坐观落日晚霞，淡水暮色最令人心动;或于夜幕低垂时看淡水河畔夜景，万家灯火闪烁明灭，另有一番扰攘人间之美。
After the September 18th Incident in 1931, the Japanese aggressors pushedforward step by step, and the treasures stored in Beiping Palace Museum moved tothe south. Under the chairmanship of Ma Heng, the president of the PalaceMuseum, about 200000 pieces of antiquities were removed from the palace museumafter selection, cataloguing, numbering and packing, including the travel map ofXi Shan.
The antiquities were stored in Shanghai, transported to Sichuan on the eveof the Anti Japanese War, moved back to Nanjing after the victory of the AntiJapanese War, and moved from Nanjing to Chinese Taiwan in 1948. Fortunately, althoughthe war was in chaos and the war was raging, the cultural relics weretransported for a long time and the roads were dangerous, but there was nodamage or loss. It was a miracle indeed.
The Palace Museum, located in waishuangxi, covers an area of 20 squaremeters. It was built in 1962 and completed in 1965 in commemoration of Sun YatSen's birthday. The whole building imitates the form of the Palace Museum inBeijing and adopts the Chinese palace style design. It has a magnificentappearance and carries green mountains. It is where the elite art of Chinesecultural relics collection lies.
Before entering the Palace Museum Square, you can see a memorial archwaycomposed of six stone pillars. On the archway, you can see a bronze tripodengraved with the word "fraternity".
The collection of the Imperial Palace Museum in Chinese Taiwan includes the essenceof old Beijing, the Imperial Palace, Shenyang the Imperial Palace and theoriginal river and so on. There are about 700 thousand pieces of cultural relicsdonated by people from all walks of life at home and abroad. They are dividedinto 14 categories: calligraphy, ancient paintings, inscriptions, bronzes, jadearticles, ceramics, stationery, carved lacquers, enamels, sculptures,miscellaneous items, embroidery and silk, books, and literature. The museumoften maintains about 5000 pieces of calligraphy, painting and cultural relicson display, and holds various special exhibitions regularly or irregularly. Theexhibits in the museum are replaced every three months.
According to the calculation of 5000 exhibits every three months and 20000exhibits every year, there are 700000 pieces in the collection here, which canonly be seen in 35 years without falling down at a time. This is not comparableto the general Museum collection.
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